carrying on and portraiture award at wisconsin state exhibition.

i have been very lazy with respect to this blog and for that i apologize. summer's too busy to do everything without feeling more hassled than one might feel necessary. so the blog loses out. i am far enough into a variety of painting projects that i can not really remember exactly what i did so i will not try to reprise a blow-by-blow of the process(es).

before i go into the current group of paintings i should tell about a recent award  received. at the state WRAP (wisconsin regional art program) exhibition in wausau i received the carol betts chaplain portrait award. it would be a gross understatement to say i was surprised and at the same time thrilled. my thanks to juror diane budde for this singular honor. the painting was "needing more than a tattered hat" which i have posted so many times in regard to this that i will refrain at this time.

stage of current abandonment

i decided on this one that i would play around with a brick wall behind her as there was one in the reference photo. however, i decided that this made the painting more about the wall than the girl....i think i can fix this but for now i ran out of good ideas and steam......not in the bin but the shelf next to it.



in my quest to improve my land/cityscape paintings i offer this for review. working title is "just after five". i like the atmospheric  and linear perspective, respectively, of the buildings and the march of the vehicles into the distance. the figures, however, are a bit sloppy. on to the next and hopefully better one later this week.

not quite....but close

and now the newest of the "people" paintings. i have done this girl before but i felt compelled to paint her again with a bit of a different composition and background. i do have a few "stages which i will post sequentially without any comments. i will note that i made extensive use of wet glazing in the background and in the neck shadow. for those not familiar with this techniques, it involves painting over wet washes with a different color(s). very interesting mingling occurs if one doesn't monkey around with the final version before its dry. the subtlety of color mingling is not altogether apparent in the photos, but i can be quite striking. the only place i have seen this described is in don andrews book on painting the nude in watercolor where he uses these glazes to paint beautiful and unique skin tones in stylized/abstract nudes.

"i once was young.....like you" (11"X15")