basically, i finished off the pattern on the shirt leaving the bottom right hand corner on the painting a lighter value as i wanted to sign it there. this is the first time that i can remember that i planned ahead for the signature spot. hmmmm, not sure what that means. i put a couple of glazes on the background to bring it up to the value that seemed right. i painted a fairly bright warm quinacridone gold starting from the shoulders on both sides and graded up into the rest. then, after that dried a light layer of permanent rose to tone down the quin gold. lastly, a glaze of mineral violet. c'est tout.
i put some dilute washes of cerulean blue on my upper lip, lower cheeks, and chin to sort of explain the beard which was a little worse than stubble in the photo. just to add a manly edginess to the whole thing!
i tried scratching in some "gray" hairs on my thinning mane with a utility knife after failing to get the effect i was looking for with lifting color. it seemed to be quickly turning disastrous so i decided to leave it well enough alone.
i don't think there was anything else this time around.
"that ragged old shirt...and friend" 11"X15" |
Great job, Bob! Love it! I have a favorite sweater that is 17 years old and I should imortalize it in a self portrait!
ReplyDeletethanks, dena. it really was a great experience doing this painting. i strongly recommend it to any artist. go for it!
Deleteon another note......there still are vacancies in our nuttall workshop???????
I know what you mean about struggling with paintings. But this is great. Maybe only you can see the iffy bits lol :)
ReplyDeletethanks for your comments, ultra'. you are right about the "iffy" bits. as time marches on i can't even remember half of what bothered me about this or any painting. couldn't have been important. be well.
ReplyDeleteDear Bob, lovely work! I love your approach and feel very warm eyes. Best wishes, Sadami
ReplyDelete